Welcome, Questie’s one and all to the year 2026!! As time marches mercilessly on, its strange to think that out beloved show is getting ever closer to becoming a period piece. Remember when the future was exciting and something to look forward to? That was the message of the show and many more like it, but somehow the future is not what it was. Indeed, one could be forgiven for thinking our civilisation has already peaked and we’re now living in some sort of post-pandemic dystopia…
Anyhooooo – despite the apparent inactivity here at the VAULT HQ, I am, as ever, very busy behind the scenes. Last year I finished up two site pages long in the making, a profile of our beloved show creator Philip Segal, and a fitting tribute to the screen legend that was star Roy Scheider. Currently I’m working on a fond salute to makeup artist Louis Lazarra, I have a new pile of CapeQuest Newsletters to scan and add to the Fanzines page, and if you didn’t already catch my interview with the lovely girls from the UEO TAVERN PODCAST, shame on you, but go here to listen up:) I’m also in the early stages of making a video about the various SQ models that have been made available over the years, culminating in a review of the monster 1:300 scale by Nautilus Drydocks.
I also want to say the biggest thank you to Frank Oftring, now the official artist for the headers for the site, and whose tenacity and dedication not only produce wonderful images but videos with such clarity they suck you straight back into the opulence of New Cape Quest as if it actually existed…
But for now, normal coverage resumes with another one of our friend Bill Warren’s vintage interviews for Starlog Magazine, this time with fan favourite Marco Sanchez (apparently during the filming of season one’s ‘The Good Death’) Similar chats with both Stacey Haiduk and Jon D’ Aquino are to follow, stay tuned…
ML
A navy-blue uniform jumpsuit with “UEO” emblem patches applied at the proper left chest and on verso and a crème cotton mock turtleneck worn by Roy Scheider on season one of seaQuest DSV (Universal Television,1993-1995). Together with three Polaroids of Scheider wearing the costume on the set.
This Steven Spielberg-produced series is about the underwater adventures of the SeaQuest deep submergence vehicle #4600 of the United Earth Organization captained by Bridger. Costume designed by Mr. Mike Boyd.
Category: 1990’s Television, Sci-Fi, Costume/Clothing
Provenance: Acquired from Amblin Entertainment and Universal TV
Ever wanted to own one of Captain Bridger’s screenused uniforms and/0r other seaQuest treasures? Now’s your chance with this rare opportunity provided by Juliens Auctions to bring home a piece of television history –
“Take a nostalgic journey through television history with Julien’s Auctions’ “Channel Surfing: A Broadcast to Binge” event. This auction celebrates the unrivalled legacies of iconic television shows, offering collectors a chance to own true and tangible pieces from some of the most beloved series ever broadcast. It’s 70 years of television’s biggest phenomena up for bid like never before.
From superhero triumphs and groundbreaking comedy to classic crime-fighting capers and stylish period dramas – this sale features screen-used costumes, props, and memorabilia that defined generations and continue to influence pop culture today, many acquired directly from their original productions and coming to auction for the first time…”
Auction begins May 7 – 8 AT 10:00 AM PDT in Los Angeles – click here to register
ML
Currently on offer from noted auctioneer’s Julien*s, these two spectacular lots from seaQuest go under the hammer on 12th-14th of July. Registration for the ‘Hollywood Legends, Danger, Disaster & Disco’ is open now and bids can be placed in advance.
The below descriptions omit that the seaQuest model was sculpted by John Eaves and though some casts were made, painted and mounted on a stand with Brass plaque (see the unfinished one from the VAULT collection here) for set dressing – ultimately none were visible in the show.
Meanwhile, the Dickies shirt – pertaining to be worn by Michael Ironside – is curiously lacking the Captain’s trident collar patches and correct triangle shoulder patch. Though the shirt is obviously production made/used, the rank is in fact Lieutenant and unfortunately the handwritten details are inconclusive as to who may actually have worn it on screen…
DESCRIPTION
A resin model of the seaQuest Deep Submergence Vehicle 4600 with an accompanying plaque featuring in-world specifications and details, from the science-fiction television series seaQuest DSV (NBC, 1993 – 1996).
Please note that this piece contains wear and damage including the model being separated from the plaque, the small frame adornments around the holes that hold the model in the plaque have also been separated, and one of the back fins of the model has been chipped off.
Overall: 5 x 18 x 3 inches
Sci-Fi
Estimate:
$100
$200
DESCRIPTION
A shirt for Michael Ironside as Captain Oliver Hudson from the production of the science fiction television series seaQuest DSV (NBC, 1993 – 1996).
The shirt is comprised of 65% polyester and 35% cotton. It contains a Dickies brand tag that lists the dimensions as 16-16 1/2 x 35. The Dickies tag features illegible handwriting in black marker. The collar of the shirt features two patches, as does both shoulders. The shoulder patches feature two different UEO (United Earth Oceans Organization) insignias.
Ironside joined the series for its third and final season, partially taking over as a quasi-lead of the show after the departure of the show’s previous lead Roy Scheider, who had conflicts with the show’s producers and only appeared in a few episodes of season three.
Sci-Fi, Costume
Estimate:
$100
$200
ML
As promised, the Bill Warren legacy continues with another superb interview from the October 1994 edition of Sci-Fi bible Starlog. The late (and much missed) Royce D. Applegate gets appropriate column inches here, telling tales of his humble beginnings in showbusiness, right up to the point – to everybody’s astonishment at the time – where his seaQuest tour ended.
Always a straight talker/shooter as evidenced by his very long list of appearances in episodic television and more, Applegate’s account of exactly what happened behind the scenes of seaQuest during and after its first season reads as the most honest and believable yet. A science-fiction fan himself, Applegate seems more convinced than anybody that seaQuest should’ve embraced the genre rather than sail against it much earlier on, its exclusion costing the show viewers.
Applegate was also seemingly acutely aware of his character and how to get the best out of it – at once citing his displeasure with the ‘fish poop’ episode while acknowledging his best was ‘Bad Water’ where he memorably sang ‘Drunken Sailor’ to roust a weary crew. Admittedly disappointed and still bitter about NBC’s decision to ground him for the second season, his universal praise for Roy Schieder – sentiments shared by most of the cast if not the producers – meant his time aboard the seaQuest was a creatively fulfilling one. Look no further than the scene in the final episode of season one where Bridger Gives Crocker a parting gift, only to discover Crocker’s wife has left him and he’s got nothing to go home to. The lack of this kind of poignant human drama in season 2 – ironically now having embraced its sci-fi roots – meant season one would remain the most memorable of the entire series.
Applegate went on to appear in plenty more film & TV projects in the proceeding years, always projecting the charm and blue-collar sensibility of his roots. Yet his role as Chief Crocker is the one for which he’s most, and probably best, remembered.
ML
